“Who do you love?” Bo Diddley asked. In the case of this Tuesday’s “Heroes of Louisiana Music at the Mint,” the answer is C.P. Love. This soulful Crescent City singer will be starring in the first installment of a four-part series presented by the Ponderosa Stomp Foundation and the Friends of the Cabildo, in conjunction with the Louisiana State Museum. The presentation starts at 6 p.m. in the Old U.S. Mint’s newly renovated concert space, where Love will perform, chat with music writer Jeff Hannusch, and answer audience questions about his long career in soul and R&B alongside some of the greatest legends of the industry. We hope that at the end of this presentation, you will love C.P. Love as much as you do some of his own musical heroes: Danny White, Smiley Lewis, Otis Redding, and Sam Cooke.
The very definition of an unsung hero, C.P. Love “has the rare distinction of being better known for a song he didn’t record rather than one he did,” according to Hannusch. The legendary King Floyd offered his newly penned song “Groove Me” to Love, who passed on the future 1970 smash hit in favor of its composer. Love brought a demo of King’s version to promoter Elijah Walker and famed producer Wardell Quezergue, who declared with his characteristic understatement: “I believe we have something.” And the rest is history. “I never regretted not recording ‘Groove Me’ — I felt glad for King,” Love said.
C.P. Love
But Love, born Carleton Pierre Love in New Orleans in 1945, is brimming with his own talent, on both vocals and guitar, and has played with dozens of legends in soul and R&B since 1957. Growing up on the West Bank, Love recalled playing his first marquee gig in Marrero with piano giant Professor Longhair. “The band consisted of just Fess and a drummer. … [Fess] was a quiet guy who didn’t go for any humbug.”
In its heyday Love also frequented the city’s most famous incubator of R&B and rock ‘n’ roll, the Dew Drop Inn on LaSalle Street. “I started going by the Dew Drop, where I hung with Deacon John, Esquerita, Curley Moore, and Earl King.” Over the years Love has played in clubs all over the region, from the Devil’s Den on North Galvez to the F&M Patio and famed Bourbon Street spots like the Sho-Bar and La Strada, where he worked with Clarence “Frogman” Henry. “I did Bourbon Street for 10 years at several clubs. That was the best lesson I ever got as a singer.”
Plenty of Room For More – C.P. Love
By 1968, Love was recruited by Elijah Walker and Earl King to cut a single on their King Walk label: “Plenty of Room for More” / “You Call the Shots” — both Earl King compositions reminiscent of Wilson Pickett.
You Call the Shots – C.P. Love
With “Groove Me” a monster hit for King Floyd in 1970 on the Malaco label, Love once again deferred to Floyd and gave him the first shot at “I Found All These Things.” However, Love later cut the song as well, and it became a regional hit on Atlantic – and could have gone bigger if Love had been able to go on tour with James Carr for a stop at the Apollo Theater. “I Found All These Things” is considered a deep soul classic and one of the best souls singles from the Malaco vaults. Love and his band the Invaders toured with King Floyd for nine months and then with Candi Staton and Bobby Womack. He also has opened for talents such as Fats Domino and B.B. King.
I Found All of These Things – C.P. Love.
Love then played Bourbon Street for 10 years until the clubs went non-union, and he balked at the exploitative conditions. “If you wanted to work on Bourbon Street, you had to take a big cut in pay. I wouldn’t accept that.” Love moved to the San Francisco Bay Area in 1986 and worked the club and festival circuit along the West Coast. He also cut a four-track EP for the Award label and recorded an album on New Orleans producer Carlo Ditta’s Orleans label, whose roster has included Rockie Charles, Guitar Slim Jr., Coco Robicheaux, Danny Barker, and Roland Stone. Bassist George Porter and guitarist Leo Nocentelli of the Meters provided backing for the one-day session, which included three of his own songs.
Indeed, it is Love’s own original songs of which is he proudest, including “Stubborn Girl,” “True Blue,” and “Secondline Home.” He owns his own publishing company, Pierre Publishing, as well as Trip City Jingles, a marketing-jingles firm. Having returned to New Orleans, Love has played the Jazz and Heritage Festival and clubs such as the House of Blues. However, he won’t be returning to Bourbon Street anytime soon. “I’m not going to embarrass myself by working on Bourbon Street for $8 a set.”
The Old U.S. Mint is at 400 Esplanade Ave. Doors open at 5:30 p.m. The program runs from 6 p.m. to 8:30 p.m. $30 general admission, $25 for Friends of the Cabildo members. For more information, click here or here, or call 504-523-3939.
Bobby Marchan in drag confers with Solomon Burke onstage
On its Sept. 15 kickoff, attendees at the Ponderosa Stomp‘s music conference learned about R&B legend, notorious transvestite, and pioneer rap promoter Bobby Marchan – in a panel led by Alison Fensterstock and illuminated by Marchan’s Manicure Records partner Henry “Palomino” Alexander; Q93 DJ Wild Wayne; and singer Gerri Hall of Huey “Piano” Smith’s Clowns. But before Marchan shared his consummate business acumen decades later with the rappers who founded Cash Money Records as well as chitlin-circuit stars like Sir Charles Jones and Mel Waiters, he made an impression as lead Clown vocalist, an emcee at New Orleans’ Dew Drop Inn and Club Tijuana, and later scored a #1 smash by covering the Big Jay McNeely hit “There Is Something on Your Mind” for Bobby Robinson’s Fire label. Be sure to listen to Marchan’s spoken interlude at minute 2:00 – pure tongue-lashing, sassy flamboyance infused with rap-like cadences.
Friday, Sept. 16, Stomp conference attendees will get a chance to get up close and personal with the man whose version of “There Something on Your Mind” Marchan made his own: Big Jay McNeely. From 2:45 to 3:35, Jason Hanley of the Rock and Roll Hall of Fame will interview McNeely. For more conference info, click here. Catch McNeely playing the Stomp on Saturday night. Full schedule is here.
“The King of the Sax Honkers,” Big Jay McNeely first topped the Billboard R&B chart in 1949 with “The Deacon’s Hop” on the Savoy label before charting once again in 1959 with the blues-drenched ballad “There Is Something on Your Mind.” Infusing his style with a frantic preacher’s intensity that paved the way toward rock ‘n’ roll, the rabble-rousing McNeely – seen at left playing on his back – became known for his outrageously flamboyant stage antics as much for his trailblazingly torrential sax blowing, recording for many labels including Federal, Vee-Jay, Imperial, Exclusive, Aladdin, and Warner Bros. McNeely played at the inaugural Stomp 10 years ago, and we are pleased to have this legendary rock ‘n’ roll madman returning this Saturday night. Don’t miss it!
Born Eddie Jones, Guitar Slim created one of the most seminal blues classics of all time in “The Things I Used to Do.” This is the B-side of that great record, both of whose sides feature Ray Charles on piano. A master showman who dyed his hair to match his suits and shoes, Guitar Slim was highly influential during the 1950s, and his colorful legacy, which touched musicians from Earl King to Frank Zappa, is well-worth another look. Come see WWOZ DJ and documetarian David Kunian lead a panel today discussing Slim’s career, with his peers and bandmates Gerri Hall, Irving Banister, and Lawrence Cotton. It runs 2:45 – 3:45 p.m. at the Renaissance Arts Hotel in New Orleans’ Warehouse District, 700 Tchoupitoulas St. For more info on the conference, click here.
South Louisiana is still climbing out of this stormy weather from Tropical Storm Lee (now a depression whose vestiges are churning northeastward). Today’s Song of the Day features Ponderosa Stomp performer Bobby Rush joining two fellow legends – Bobby “Blue” Bland and Johnny Taylor – on “Stormy Monday” in a tribute to Bland. Check out Rush’s blazing harmonica blast near the end of the video! Bland won’t be joining the Stomp this year, and Taylor has passed on, but Bobby Rush will be interviewed at the Ponderosa Stomp conference and also will perform at the concert. Don’t miss his chitlin’ shtick! A Louisiana native now living in Mississippi, Rush will be sitting down with blues authority Scott Barretta in a presentation titled “Chicken Heads and Bow-Legged Women” from 1:30 – 2:30 p.m. on Thursday, Sept. 15, as part of the Stomp’s conference showcase. As king of the chitlin’ circuit with his ribald vocals, unforgettable showmanship, bluesy guitar and harmonica, and voluptuous female dancers, Rush has been a consummate entertainer for more than 50 years with 20+ albums to his credit – and he shows no sign of stopping, whether he’s playing Carnegie Hall or a juke joint on a dusty old road off Highway 61 in the Mississippi Delta.
With Tropical Storm Lee having battered the central Gulf Coast, specifically south Louisiana, for all of Labor Day weekend, today’s Song of the Day continues the rain theme, with three versions of “Raining in My Heart” by Excello-related artists (or their sidemen) who will be appearing at this month’s 10th annual Ponderosa Stomp. First up, the Excello swamp bluesman who created the anthem, Slim Harpo. Though Harpo is now jamming in that great jukejoint in the sky, Harpo’s primary guitar players — James Johnson and Rudy Richard — are both scheduled to appear at the Stomp’s Excello reunion this year. According to musicologist John Broven in his book “South to Louisiana: The Music of the Cajun Bayous”:
“Rainin’ in My Heart” changed everything for Slim. For a start, The Cash Box warmed to the record: “Slow moaning, earthy blues proves the artist’s meat as he takes the tune for a tuneful ride. A real weeper.” … The mesmerizing “Rainin’ in My Heart” more than justified the reviewer’s optimism. After climbing the R&B charts the record crossed over to the popular ratings and reached No. 34 on the Billboard 100 in the summer of 1961.
Warren Storm, left, with fellow swamp-pop legends, the siblings Van Broussard and Grace Broussard
Next up, a version by brother Warren Storm, who logged many an hour in Jay Miller’s legendary Crowley recording studio playing drums on records by Lazy Lester and other artists with the likes of fellow hired guns: pianists Carol Fran (appearing at the Stomp this year) and Katie Webster; bassist Bobby McBride; guitarists Guitar Gable, Al Foreman, and Pee Wee Trahan; and fiddler/bassist Rufus Thibodeaux, among others. Here is Storm’s own version of “Rainin’ in My Heart”:
And finally, here is a live 1989 version of “Rainin’ in My Heart” by Ponderosa Stomp inspiration Lazy Lester, looking as resplendent as ever in a red Dixie beer baseball cap, now a collector’s item in the wake of the landmark Tulane Avenue brewery’s decimation by Hurricane Katrina and looters galore. We still have a tear in our beer over Dixie’s relocation above the Mason-Dixon line to Wisconsin, which now brews the beverage (presumably) sans its key ingredient of muddy Mississippi River water:
We’re thrilled that Chicago blues-harmonica god Billy Boy Arnold is returning to the Ponderosa Stomp this year for its 10th anniversary. And the Stomp, of course, is named after south Louisiana’s Lazy Lester of Excello fame. Both appeared at the inaugural Stomp and both are perennial performers at the annual blowout. We love ‘em both. But who’s your favorite? And which songs are you most looking forward to hearing them do at this year’s Stomp?
Ladies and gentlemen – strictly for grins – we present to you this blues-harmonica smackdown. In this corner of the Web (below), Billy Boy Arnold performs “I Wish You Would,” accompanied by fellow Stomp favorites Henry Gray on piano and Jody Williams on guitar:
And in this corner (below), Lazy Lester performs his “Sugar Coated Love” joined by guitarist Pee Wee Trahan and Stomp alumni Guitar Gable and Warren Storm on drums:
The oldest still-performing bluesman, David “Honeyboy” Edwards, passed away Monday, Aug. 29, just shy of his 96th birthday, on the sixth anniversary of Hurricane Katrina, and a little less than a year after gracing the Ponderosa Stomp with his historic presence. The great bluesman worked with all the legends of the genre, from Robert Johnson and Big Joe Williams to Sonny Boy Williamson, Little Walter, and Howlin’ Wolf. For his Stomp bio, click here. For his New York Times bio, click here.
Funeral arrangements are being handled by McCullough Funeral and Cremation Services, 851 E. 75th St., Chicago, IL, 60619. Visitation is Thursday (Sept. 1) from 6 to 9 p.m., while private services will be Friday (Sept. 2). Call (773) 488-8900 for more information or visit his Web site.
We present to you, as Song of the Day, Honeyboy Edwards performing “Wind Howlin’ Blues.”
Blind pianist/singer Bobby Powell of Baton Rouge left gospel music in the 1960s to test out his R&B chops, signing with Whit Records, for whom he recorded “What Are You Trying to Do to Me” b/w “Red Sails in the Sunset,” which Jewel released nationally. His second single, a version of “C.C. Rider” b/w “That Little Girl of Mine,” topped the national R&B charts in 1965. His third single — “Do Something for Yourself” b/w “It’s Getting Late in the Evening” — made it to #21 on the charts. Had Powell not switched back to gospel music, he would be perfect for the Ponderosa Stomp. Let’s hold out a candle that both he and Huey “Piano” Smith both might be coaxed to appear one day – with the latter fantasy booking qualifying as the musical coup of this new century. Above is Powell doing the B-side on Hoss Allen’s “!!!!The Beat” show.
Fellow Red Stick resident Raful Neal, a harmonica wizard and patriarch of the Neal blues clan whose first band featured a young Buddy Guy, did a version of his own for La Louisianne label in 1969. Check out his interpretation below. Though Neal died several years ago, his legacy lives on in the music of his sons – Kenny Neal, Lil’ Ray Neal, and others – not to mention those he played with, including Slim Harpo band alumni James Johnson and Rudy Richard, who are both scheduled for the 10th annual Ponderosa Stomp next month. And of course, Lazy Lester.
It’s “Blue Monday,” and that is today’s Song of the Day, written by Dave Bartholomew, originally recorded by Smiley Lewis but performed here at “Austin City Limits” in 1986 by Fats Domino in a band that includes Ponderosa Stomp regulars Bartholomew and Herb Hardesty, as well as Joseph “Smokey” Johnson on drums, Lee Allen on tenor, guitarist Jimmy Moliere, and Roger Lewis doing the famous baritone solo created by Hardesty.
Fats had met sax player Sam Lee, Harrison Verrett’s cousin, at the Watkins Hotel and invited him to play on the session. Lee, nicknamed “Hold That Note” for his ability to play extended notes, was supposed to play the baritone solo on “Blue Monday,” but the versatile Herbert Hardesty had to step in to play another classic solo. “’Blue Monday’ is as close to perfection as one can imagine,” music writer Hank Davis would later observe. “The eight-bar sax break is a gem of almost frightening economy. It is one of the most memorable, bluesy, and yet simple runs in all of r&b.” Ironically, Hardesty had never played baritone saxophone before and didn’t even like the instrument. The song was the third future #1 r&b hit that Domino recorded that month.
Below is Smiley Lewis’ version, recorded two years earlier than Domino’s studio version:
Move over, New York and the ladies of “She’s Got the Power!” Because a true daughter of Dixie, Lavelle White, who can be claimed to varying degrees by Louisiana, Texas, and Mississippi (not to mention Chicago), is bringing her singular mix of blues, R&B, gospel, and funk to the 2011 Ponderosa Stomp.
Schooled in the blues by guitarist Clarence Holliman, Lavelle White broke onto the scene by recording numerous singles for Don Robey’s Duke label, including today’s Song of the Day, “Stop These Teardrops,” which features Mac Rebennack on piano.
“Listen. I want to explain something to everybody. I am not a blues singer! I sing blues because that’s what people want. I also sing funk, soul, country, and spiritual. I’m all of that. When I first started singing, it was rhythm and blues. I didn’t just do blues. … With me, it’s funk, soul, blues, jazz, and a little rap.” Thus does chanteuse Miss Lavelle White set the record straight in the book “Women in Texas Music: Stories and Songs.”
White’s music career began in the 1950s, when she brought her powerful Dinah Washington-influenced vocal style and songwriting talents to Houston’s rich R&B scene. Early on she worked with Clarence Holliman: “I came to the clubs singing, and I couldn’t carry a tune in a paper bag. Clarence taught me my timing.” She eventually got a break and started recording for Don Robey’s Duke/Peacock label with assistance from Johnny “Clyde” Copeland. “He was on the first record that I did for Duke Records: ‘If I Could Be With You”/”Teenage Love.”
The Mississippi-born White waxed nearly a dozen singles for Duke, including “Just Look at You Fool,” “The Tide of Love,” “Yes, I’ve Been Crying,” and “Stop These Teardrops.” She also wrote “Lead Me On” for Duke labelmate Bobby “Blue” Bland and toured nationally throughout the 1950s and ’60s with artists such as B.B. King, James Brown, Junior Parker, Sam Cooke, Gene Chandler, Gladys Knight and the Pips, the Isley Brothers, Aretha Franklin, and Smokey Robinson.
In the late 1970s White moved to Chicago and became a favorite on the local blues scene, headlining at the Kingston Mines and other clubs from 1978 to 1987 and working with Junior Wells and the Louisiana-born bluesmen Lonnie “Guitar Junior” Brooks and Buddy Guy. Of Guy she says: “Go to Buddy Guy’s club. He’s a wonderful person. He’s marvelous. He’s beautiful.”
She returned to Houston in 1988 and once again began working the clubs, eventually settling in Austin in the early 1990s, where she recorded three highly acclaimed CDs, “Miss Lavelle,”“It Haven’t Been Easy,” and “Into the Mystic.” A four-time W.C. Handy Awards nominee and a Texas Music Hall of Fame inductee, White is an exciting addition to the Ponderosa Stomp lineup.
“Who do you love?” Bo Diddley asked. In the case of this Tuesday’s “Heroes of Louisiana Music at the Mint,” the answer is C.P. Love. This soulful Crescent City singer will be starring in the first installment of a four-part series presented by the Ponderosa Stomp Foundation and the Friends of the Cabildo, in conjunction with the Louisiana State Museum. The presentation starts at 6 p.m. in the Old U.S. Mint’s newly renovated concert space, where Love will perform, chat with music writer Jeff Hannusch, and answer audience questions about his long career in soul and R&B alongside some of the greatest legends of the industry. We hope that at the end of this presentation, you will love C.P. Love as much as you do some of his own musical heroes: Danny White, Smiley Lewis, Otis Redding, and Sam Cooke.
